Synopsis
Some footage and shots of expressionless actresses seen in Ravissements are repurposed in La philosophie dans le boudoir / Philosophy in the Boudoir (1991), wherein Smolders takes extracts from the Marquis De Sade’s nutbar text and applies them to scenes of a man in a prison cell, and single or groups of women often standing with the same blank expressions as the man. Perhaps to characterize De Sade’s libertine philosophy and rude text as words and ideas worthy of anyone, Smolders alternates his actors, with several men portraying (presumably) the incarcerated De Sade.
