Synopsis
In 1976, the Czech New Wave philosopher and director Evald Schorm came to the Na zábradlí Theatre. He stayed there for twelve years, until his death. He raised a generation of actors who were aware of their own personalities. In The Brothers Karamazov, the then compact acting ensemble performed in full force on stage. Schorm created from ban to ban (Hamlet, Macbeth, The Brothers Karamazov, Marathon) and in front of Zábradlí, there were queues for tickets in double rows all the way to the Vltava embankment: when the subscription began, people slept outside from midnight until ten in the morning, when the box office opened, in sleeping bags, they brought fishing chairs to the theater. A ticket to Zábradlí was more valuable than Tuzex vouchers...
